- Author
- Gabby Chen
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Every design brand has a reference library — the images, textures, and ideas that the team returns to again and again when something needs to feel right. Most brands keep this private. We think ours is worth sharing.
OF HUNGER's reference library is not a mood board of other products. It's a shelf of films.
What We Learned from 2001: A Space Odyssey
That the future can be quiet. Before Kubrick, much of popular science fiction was loud — explosions, aliens, chaos. 2001 showed a future that was white, silent, symmetrical, and terrifying precisely because it was so calm. GALAXY carries this lesson: the most powerful objects in a room don't need to shout.
What We Learned from Interstellar
That engineering can be beautiful without trying to be. The spacecraft in Nolan's film weren't designed to impress — they were designed to survive. Angular, load-bearing, functional. And yet they're stunning, because pure logic, pushed far enough, produces its own aesthetic. STARSHIP is our attempt to capture that: beauty as a byproduct of structural intent.
What We Learned from Life
That organic forms create unease and fascination in equal measure. The alien in Daniel Espinosa's film is simultaneously beautiful and unsettling — it curves, it reaches, it moves in ways that feel alive. NEBULA, the signature piece, borrows that language: an earphone that feels less manufactured and more grown.
What We Learned from The Hitchhiker's Guide to the Galaxy
That the universe is absurd, and the correct response is elegance. Douglas Adams imagined a cosmos that was vast, indifferent, and oddly beautiful. MONOLITH sits beside that lesson rather than illustrating the film directly: it takes the irreducible geometry of the sci-fi monolith — simple, unknowable, perfectly formed — and places it on the ear as a gesture of calm defiance.
Why Film, Not Fashion
Most accessory brands reference other accessories. Runway shows, editorial shoots, previous-season jewelry. We reference cinema instead.
This is deliberate. Cinema has contributed greatly to shaping what futuristic fashion looks like in the real world — it's where the visual vocabulary of "the future" was invented. Futuristic earbuds don't need to look like other earbuds. They need to look like the future feels. And for us, the future feels like a film.
Not the action sequences. Not the explosions. The quiet moments. The ones where the camera holds on an object, and you think: I want to live in a world where things look like that.
That's what we're building.
Read the design stories behind each piece: MONOLITH · STARSHIP · GALAXY · NEBULA.
